Intrigued by the subtle distinction between furniture and sculpture, Nabuqi frequently conceives works that challenge the status of artwork by having a common function.

This large scale table shaped structure becomes the set up for
a metaphorical landscape. While it appears as common facility for visitors to use in the exhibition space, it does also function as a space of free expression and experimentation. The ambiguity of the piece triggers a potential of interaction with the audience that represents a signi cant move in Nabuqi’s practice, since so far her works engaged with the public in a rather indirect way.

Visitors are invited to play with the miniature objects designed by the artist, according to their own game rules. They are also encouraged to take pictures of the speci c arrangements that they like and to post them on the dedicated platform.