I constructed the interior of a home. It’s incomplete, with lived-in details yet remains fragmented, that renders into various layers of space on an abstract level. The turning on and off of its interior, exterior, stage, photograph, text (title of the work), mirror and lighting generate certain circumstantial transformation. The curtain can be understood as the perspective by which to looking in from the outside, or an object for projection in its stage design; the sudden switching off of the light is like an abrupt pause in a theatrical production, and the viewers ultimately become participants on this very stage; moreover the mirror generates spaces that locates the viewer between reality and theatricality, realized through the transformation of the scene; in addition, the title of the exhibition draws from the description of an actual outdoor scenery… with these various layers of spaces coming together, the site becomes a unreachable, overlapping or displaced space. One’s presence on site, or absence from it becomes an indecipherable condition, similar to the ambiguity between theatre and reality, where often times, one perpetuates in an in-between state.